Parked on a bench near the corner,
she sat with one hand clutching a purse,
the other one rocking a stroller.
In the gentle mist, I came to a stop
and eased out of the car. With an umbrella,
I moved to her side as a downpour ensued.
.
With her narrowed eyes locked onto mine,
she said, “It took you long enough to get here.”
“Ma’am?” I said. “Aren’t you from the studio?”
she said. “Um, no, I just stopped to offer
you cover from the rain,” I said.
Well… Cecil is taking his sweet time, you know.”
.
“Are you sure you’re not from the studio?”
“I’m sure.” It was becoming harder
to hear her voice in the thumping rain.
I looked down the street at a red and
white awning. “Perhaps I could offer
you some lunch.” “I could eat,” she said.
.
“And we can get your baby out of the rain.”
She laughed and looked under the sunshade
of the baby carriage. “You hear that, Marcus?
You’re a baby.” She cackled as I peered
into the carriage and saw a small dog standing,
his tail in vigorous motion.
.
At the door of the fast-food eatery,
she parked the buggy by the door
and pulled a tarp up over the sunshade
to prevent the rain from reaching the dog.
“You behave, Marcus. I’ll be back
with something good for you,” she said.
.
As we stepped into the restaurant,
she paused and looked up at me.
“You recognize me?” she said. I gazed
at the short, plump gray-haired woman,
her tattered sweater held together with safety pins.
“Um, no, I don’t think I’ve had the pleasure,” I said.
.
“I’m Miriam, Miriam McKinney. I was in Cleo’s entourage
in the movie Cleopatra. That was my debut film. Cecil said
my work was splendid and he’d call when he needed me next.
Damn him, he’s taking his sweet time. I’m a star. My time is coming
though, I know it is,” she said. She was looking at a compact mirror
and wiping away heavy eyebrow liner that had run in the rain.
.
We moved toward the counter where an associate
in a paper cadet hat stood beaming at us. “May I
help you?” he said with a big toothy grin. “What
will you have, Miriam?” I asked. She never broke
eye contact with the young man at the counter. She barked,
“Gimme a cheeseburger, animal style and a side of fries.”
.
“Yes, ma’am,” he said, “and you, sir?” he said,
his eyes widening. I gazed up at the wall menu.
This was a new experience for me, but before I
could say anything, Miriam barked, “Give him a
Double-Double with fries and give us two pink lemonades,”
she said as she shuffled away toward a table.
.
My billfold in hand, I asked, “What do I owe you?”
The associate, his smile unwavering, said, “The guest
ahead of you has paid for your order.” I looked around.
No one was there. Though puzzled, I said, “Thank you,
thank you very much.” “A name for the order, sir?”
he said. Miriam shouted across the room, “Cleo.”
.
When I arrived at the table, she pulled
a faded newspaper from her purse, and
unfolded it. Her finger moved
to a photo on a page. “That’s me to the right
of Cleopatra. Claudette got it right. Liz overplayed
the part.” She shook her head. “What a disaster.”
.
With almost no delay, I heard the paper hat associate
shout, “Cleo.” I stepped up to the counter and took
the sack and two drinks. When I returned to the table,
Miriam had replaced the newspaper in her purse
and was looking at her fingernails. I sat down and
handed the sack to her so she could retrieve her sandwich.
.
She stood, grabbed the sack and one of the drinks and looked
down at me. “Are you sure you aren’t with the studio?”
“I’m sure,” I said. “Well, I thank you and Marcus thanks you,”
she said. She quickly turned and was gone. Flummoxed,
I peered down at the red palm motif on the cup
and drummed my fingers in rhythm with the rain.
.
“IN-N-OUT” is one of fifty-three poems in Fred’s new
book “MY LA, Poems by Fred Miller,” available on
Amazon.